The Flower portrait is the name of one of the painted portraits of William Shakespeare. A 2005 investigation of the portrait led to the conclusion that it was a art forgery painted in the 19th century.
The name originates with the painting's previous owners, the Flower family, who gave it to the Royal Shakespeare Company. The painting depicts Shakespeare gazing out of the picture and wearing a wide white collar. It has a signed date of 1609, but many art experts had been suspicious of its provenance before it was X-rayed in 2005.Tarnya Cooper, Searching for Shakespeare, Yale University Press, 2006, pp. 72-4
The picture has been commonly used, for example, in the covers of Shakespeare's published plays. It is similar to, and most likely a copy of, the Droeshout engraving, which appeared in 1623 in the first folio publication of Shakespeare's plays.
Many historians accepted this argument, but the painting still had its defenders. In 1966, an X-ray revealed that the portrait was painted on top of a 16th-century painting that depicts a Madonna and child with John the Baptist. In 2000, Hildegard Hammerschmidt-Hummel reasserted claims to the painting's authenticity, publishing a detailed argument in 2006.Hildegard Hammerschmidt-Hummel, The True Face of William Shakespeare, Chaucer Press; illustrated edition (May 15, 2006)
Most of the pigments on the painting were available in the 17th century, but the golden braid of the doublet was painted with chrome yellow, a pigment unavailable until about 1814. The particles of the chrome yellow are part of the normal layer of paint, meaning that it was not painted afterwards. Therefore, Tarnya Cooper, one of the of the Gallery, announced that the painting is a 19th-century forgery, dating from around 1818–1840.
2004 study
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